Typographical Conventions
This short section sits after the acknowledgements and before the introduction. It only names a few recurring layout choices—nothing you need to study before reading.
Headings
Part titles, bridges between parts, and chapter titles are meant to help you find your place. Sub-headings mark a real turn in the argument, not decoration.
Appendix B lists Pattern titles exactly as they appear there; the same titles show up in the chapters.
Pull-quotes
Most chapters end with a short pull-quote. It compresses the chapter’s structural point—not a slogan or a personality line.
When others look to you, your posture becomes part of their world.
Pattern blocks
In places you will see a small block that opens with Pattern: and a bold name (for example Pattern: Attention Finds a Focus). That name is the book’s handle for a recurring dynamic. In ordinary prose the book uses the same bold titles; it does not keep repeating the word pattern.
Pattern: Example Name
One or two sentences on what is happening in the structure of that moment.
Vignettes
Some chapters use a short scene, set off from the analysis, to make an idea easier to picture. The prose then picks back up and ties the scene to the chapter’s claim.
The room goes quiet after a mistake is named. No one speaks first. Then someone says, "Let's move on," and the room accepts it.
